Broadcast quality for Full HD Camcorder Application for CCTV Monitoring & Making Movies. The monitor comes build in an aluminum flight case for maximal protection and mobility.
Canon R Mount to ARRI LPL Mount Adapter allows ARRI LPL Signature Prime Lenses to be used with Canon R Mount cameras. Other LPL lenses like Leica Thalia LPL are also compatible.
Advanced digital film camera with an incredibly versatile design! Includes full frame 36 x 24mm 6K sensor, wide dynamic range and records Blackmagic RAW with proxies to CFexpress
seetec ATEM156-CO
15.6" Multiview 4K carry-on Director Monitor suitable for various environments, specially designed for location shooting.
The SEETEC ATEM156-CO is equipped with a 15.6 inch IPS LCD panel. The IPS LCD panel itself has a resolution of 1920 x 1080, a contrast ratio of 800:1, and a LED backlight with a brightness of 250cd/m², giving you an accurate reproduction of video. It combines a wide 170° viewing angle in both horizontal and vertical directions. Easy viewing is ensured by reducing color changes due to the viewing angle.
SEETEC ATEM156-CO has set up professional monitoring functions according to the actual needs of pre-shooting and post-production to help you improve the shooting efficiency. Equipped with four 4K HDMI inputs, it supports quad view, dual view and single view monitoring functions, allowing you to get perfect multi-camera monitoring in any location! It contains focus-checking functions, such as Peaking Focus, False Color and Pixel to Pixel, to assist in getting sharp images. It contains framing functions, such as Center Marker, Safety Marker and Grid Marker, to prevent the cut of the screen during the live, to leave the correct space for other functions during the live. It also includes other useful functions like Image Zoom, Check Field, Image Freeze, Color Temperature Adjustment etc.
Features
Full HD 1920x1080 resolutionHDMIX4 inputs and outputsMonitoring via front panel 3.5mm stereo headphone jackQuad Split Display (1P, 2P LR, 2P TB, 2P PIP, 4P)Peaking Focus AssistFalse ColorAnamorphic (x1.33, x1.5, x1.8, x2.0)Display Rotate (0°, 90°, 180°, 270°, H Mirror, V Mirror)Check Field (Red, Green, Blue, Mono)Image FreezeZoomPixel to PixelCenter MarkerSafety Marker (80%, 85%, 90%, 93%, 96%, 4:3, 2.39:1, 2.35:1, 1.85:1)Line Color (Red, Green, Blue, White)
In the box
1 x ATEM156-CO video monitor1 x Mini/ Micro HDMI to HDMI Cable1 x V-mount Battery Plate1 x 3A Power Adapter1 x Suitcase1 x Operation Manual
Rainbow Handle Kit
Rainbow Handle Kit is a modular handle system that can be configured in a variety of ways, including down behind the battery, commonly referred to as a Hollywood or Panavision-style handle. The ARCA Swiss dovetail shape on the main handle section interfaces with any MID49 Top Plate or Upper Cage, and many 3rd party ARCA clamps. If additional support is needed for heavy camera builds, or if you want to skip the ARCA clamp, (2) 3/8-16 screws are included for attaching the Rainbow Handle directly to cheeseplates with 3/8-16 screws spaced up to 76mm apart, center to center. 50mm, 75mm, and 100mm sections include 1/4-20 and 3/8-16 threaded holes with ARRI locating pins and M4x20mm holes in many places. The Bend piece turns the handle downward by 90 degrees, and the bottom has a 3/8-16 threaded hole with ARRI locating pins and M4x20mm holes. Rainbow Handle grips are interchangeable and available in standard A, B, C, D camera colors as well as some additional fun ones.
8Sinn Directors Monitor Cage V2
SKU: 8-DMCV2
8Sinn Directors Monitor Cage is an universal tool for a wide range of monitors with bottom attachment. Adjustable, foam covered handles with the widened top to provide safer grip during long usage (stop point in case of loosening your grip). Handles can be adjusted without tools, however, they have an option to use a 4mm allen key in case of screwing it too tightly. The backplate is equipped with M3 mounting points essential for mounting battery plates (V-Mount or Gold Mount). Free space with the 1/4" between the battery mounting plate and the back of the monitor gives room for mounting wireless transmitters. The cage also has the opening with the thumbwheel for stand mounting. To decrease friction between the monitor and the cage we placed some rubber pads at the bottom. Strap attachment can be useful to increase the safety factor. Comfortable preview on your current work.
Key features
Universal (for monitors up to 7") 1/4" mounting points Adjustable foam handles Rubber padas Battery plate with M3 mounting points
Benro HH100AV
The Benro 100mm Hi-Hat is a versatile video production tool that allows for unique camera placement and comes in a portable package. This aluminum leg/magnesium bowl hi-hat can be placed low to the ground, on stairs or even secured to a wooden board.
The small footprint allows the hi-hat to be used in tight spaces and on smaller surface areas. Each leg can be independently positioned at one of the three locks located on the outside of the bowl. In addition, each leg features oversized rubber twist locks and is telescoping for adjusting the height. When you combine these two features, you can easily set up the hi-hat for use on uneven terrain and even stairs.
The 100mm version will accept a 100mm video head and includes a 3/8"-16 low profile tie down adapter for getting low to the ground shots. You can add a 100mm half-ball adapter (BL100) to mount any standard 3/8"-16 flat base video head or photo head. The large rubber feet are attached to a metal ball joint for quick positioning, which can be removed for attaching the included metal spiked feet. The feet also have pre-drilled holes for securing to wooden octagon boards when using on top of apple boxes or securing the board to the top of a ladder. There are three accessory mounts on the outside of the bowl come in handy for attaching monitor arms. Each 3/8"-16 male to ¼"-20 female insert can be used to convert any standard ¼"-20 screw to 3/8"-16 in addition to being removed for attaching 3/8"-16 accessories.Transporting the hi-hat is easy with the included carrying case.
Benro HH100AV Technische Daten
Maximale Last 100 kgMinimal2 Höhe 7,5 cmMaximale Höhe 28 cmAnzahl der Segmente 2stufenlose Beinverstellung Yes-with 3 stopsGewicht 3,6 lb (1,6 kg)
SLR Magic MicroPrime Cine 50mm T1.4 (E-Mount)
SKU: SLR-MP50FET14
The SLR Magic MicroPrime CINE lenses are designed to be compact and robust for use in a professional setting. The MicroPrime CINE lenes have a large image circle that covers up to full frame. Witness markings on the lenses are all calibrated for accuracy professional use on the field. Each lens is balanced in a similar weight distribution so that recalibration is not required during switching lenses when using a 3-axis gimbal. Lens gears are built-in with a throw slightly longer than photographic lenses but at the same time manageable when a motorized follow focus is not used. Each lens features internal focusing mechanism and comes with a standard 85mm diameter suitable for matte box use. In the situation where a smaller setup is required, each lenses also comes with a 82mm filter thread for use with 82mm Fixed ND filters.
Features
50mm T1.4 MicroPrime CINE Lens - E MountOptical Structure: 6 Groups 7 ElementsImage Circle: θ44Aperture Blades: 13Filter Size: 82mmWeight 700g / 1.54lbsLength: 87mm
Rigwheels Mag-Tight CurveSKU: MTCK
The award winning Mag-Tight windshield mount has been an exceptional solution for quickly and easily mounting cameras and other accessories inside vehicles. RigWheels always strives to create new ways of doing things and ORIGINAL products. This March is the 10 year anniversary of RigWheels first product release (the original RigWheel or now, Microwheels) and we’re happy to announce another first of it’s kind product and improvement to the Mag-Tight concept, the Mag-Tight Curve. The standard Mag-Tight kit has proven it’s utility over the past few years in productions all around the world and on many of your favorite automotive themed shows however, one consideration when using the setup was the inability to use windshield wipers or the need to place the system on a portion of windshield where the wipers would not pass over. The new Mag-Tight Curve solves this problem with it’s domed surface which allow the wipers to pass over.
Mag-Tight Curve kit includes2 x RigMount 100 Curve magnets2 x standard RigMount 100 magnets1 x mini grip-head with hot-shoe adapter for the top side of the camera1 x friction arm for the bottom side of the camera
Metabones Hasselblad V to Fujifilm G CINE Speed Booster ULTRA 0.71x
SKU: MB_SPHV-FG-BM1
The new Speed Booster Ultra 0.71x is an ideal match for 6x6 Hasselblad V lenses since they can now be fully utilized as they were originally designed when mounted to the Fuji GFX. Unlike 35mm format lenses used on the Fuji GFX via glassless adapters, Hasselblad V lenses adapted to the GFX via the Speed Booster Ultra are completely free of disturbing vignetting and other corner issues.
In addition to increasing the field of view and lens speed, the new Speed Booster Ultra achieves superb performance by being carefully matched to the unique optical characteristics of the Hasselblad V lenses. All of the Hasselblad V lenses were analyzed for exit pupil size and location, and this was fully taken into account in the new Speed Booster Ultra for the Fuji GFX. This approach dictated the use of extremely large lens elements throughout in order to avoid vignetting and maintain high-quality imagery into the corners, but the results speak for themselves.
Like all Metabones Speed Boosters, the Hasselblad-V to GFX Speed Booster Ultra is optimized to fully account for the camera’s filter stack located near the sensor surface. This is especially critical when using high-speed optics like the 110mm f/2, which becomes a high-performance 78mm f/1.4.
In addition to superb optical performance, the Hasselblad-V to GFX Speed Booster Ultra is equipped with an extremely robust cine-style positive locking mechanism to ensure that no play occurs during focusing. This is especially important when using Hasselblad V lenses for cine work because even though they provide a very smooth focus movement, they tend to require more torque than lesser lenses. The new Ultra also includes a very sturdy 360-degree rotation collar and extra length Arca Swiss style tripod mounting plate.
MB_SPHV-FG-BM1 Features
Design for adapting Hasselblad V-mount Lens to Fuji GFX (G-mount) cameras.Makes lens 0.71x wider. Crop Factor for Fuji GFX format relative to 6x6 film format: 1.03x.Increase maximum aperture by 1 stop.Increase MTF.Patented 6-element/4-group optical design incorporating ultra-high index tantalum-based optical glass by Caldwell Photographic in the USA.Positive-lock V lens mount (patent granted).Lens Compatibility: Any Hasselblad V Mount lens. Cocking and firing of internal leaf shutters are not supported, but lenses with this feature are fully usable by using the Fuji GFX focal plane shutter.Aluminum Alloy and Brass Construction with Chromium Plating.Black Satin and Satin Chrome exterior; Black Matte interior.Detachable Arca Swiss-type quick release plate with 360-degree rotation collar.
Lumantek EZ-MD+
LUMANTEK’s ez-MD+ is a compact cross-converter for HDMI to SDI or SDI to HDMI. The genlock system allows synchronizing of signals to combine unpaired output signals. It supports XLR balanced audio support with audio delay controller. LUMANTEK’s ez-MD+ is a compact Cross-Converter for HDMI to SDI or SDI to HDMI.
ez-MD+ can change the resolution of the incoming video to any resolution ranging from 480i to 1080p60. You can also change the video displaying ratio. You can choose from either 16:9 (Full) or 4:3 (Pillar Box) screen ratio to fit your requirement. All these functions are controlled by 'dip switch'.
Audio embedding/De-embedding with external XLR Audio
9 pin serial port to XLR * 4 is complimentary.
Audio Delay control
Use the rotary switch to control the audio delay of the video source (50ms Step).
Frame Synchronization
There is a “Free Running”, “Input Lock”, and “Genlock” mode to synchronize your video signal. Genlock system ensures proper synchronizing of the signals when aligning the source with external signal.
Hollyland SOLIDCOM C1 PRO
The Solidcom C1 Pro, Hollyland's first-of-its-kind full-duplex wireless intercom headset system featuring dual-mic Environmental Noise Cancellation (ENC) technology, is incredibly lightweight and easy to use. It is a true game changer with built-in ENC, ideal for production teams working in loud environments where exceptional communication clarity is essential.
This new- generation headset system features advanced DECT 6.0 technology, a wideband audio range of 150Hz to 7kHz, and a reliable LOS communication range of up to 350m.
Key Features
Dual-Mic ENC PTT Function 150Hz–7kHz Wideband Audio 1,100ft (350m) Reliable Range DECT 6.0-Enhanced Stability Ultra-long Duration +Increased Portability & Durability Ready Out of Box Backward Compatibility A & B Dual Grouping Three-System Cascaded Connection ANNOUNCE Function
Technical data
Transmission Range: 1,100ft (350m) LOSFrequency Band: 1.9 GHz (DECT) (varies by country and region)Modulation Mode: GFSKRX Sensitivity: <–90dBmBattery Capacity: 700mAh (2.66Wh)Charging Time: About 2.5 hoursSignal-to-Noise Ratio: 71±2dB@94dBSPL,1kHzDistortion: <1%@94dBSPL, 150Hz–7kHzMicrophone Type: ElectretInput SPL: 115dBSPLOutput SPL: 94±3dBSPL (@94dBSPL, 1kHz)ENC: 20dB±2Net Weight: About 170g (6oz) with the battery included for each wireless headset
Operation TimeRemote headset: >10 hours (ENC ON)Master headset: >5 hours (ENC ON with 5 remote headsets)Master headset: >4 hours (ENC ON with 7 remote headsets)
Frequency ResponseENC OFF: 150Hz–7kHz (fluctuation range: ±6dB)ENC ON: 150Hz–7kHz (fluctuation range: ±10dB)
Temperature Range0℃ to 45℃ (working condition)–10℃ to 60℃ (storage condition)
MID49 EXT Breakout EB-1 SKU: M49-BOB-EB1
EXT Breakout EB-1 (RED Komodo, Komodo-X, V-Raptor) converts the camera's 9-pin 0B LEMO EXT port to industry standard connectors listed below.
Genlock: 75-ohm BNCTimecode: 5-pin 0BCTRL: 4-pin 00Trigger: 3-pin FischerEXT Pass-Through: 9-pin 0B
Attaches by a captive 1/4-20 screw and rubber pad to the camera body or side plates like Breakout Side Plate Only (RED Komodo-X)(sold separately).
Two M4 threaded holes in 20mm ARRI spacing are available to add Breakout Box Mounting Bracket (ARRI 3/8-16, Rear Mount) (sold separately), which allows the EB-1 to attach using a 3/8-16 screw with ARRI locating pins. 8 inch (20cm) cable length with right angle LEMO-compatible connector.
Weight: 70gDimensions (WxLxH): 54 x 271 x 19mm
MID49 Baseline 15mm LW (RED V-Raptor Baseplate)
SKU: M49-BSL-LW23-AC7
Baseline 15mm LW (RED V-Raptor Baseplate) is a baseplate that holds 15mm lightweight rods at the correct distance from the center of the lens.ARRI dovetail slot on the bottom attaches to the included Baseline ARRI Dovetail or other ARRI standard dovetails using a top-load locking mechanism. Loosen the thumbscrew and push the silver button on the operator's side to release the baseplate from the ARRI dovetail. To reattach, drop down and listen for the pop to know it has engaged. Adjust the position on the ARRI dovetail, then lock the ratcheting thumbscrew.
Baseline ARRI Dovetail is the included lower ARRI mounting plate which can attach to tripod plates using 1/4-20 or 3/8-16 screws or ARRI standard bridgeplates with centered or offset screw spacing.
ARCA dovetail slot on top holds the included ARCA Dovetail and can be top-loaded, or installed from the back by sliding in. When sliding in from the back, a safety pin will engage with a pop when properly installed. Adjust the position, then lock the ratcheting thumbscrew. Top-loading can be achieved by loosening the thumbscrew, pulling out on the ratcheting knob, and turning the thumbscrew until ARCA clamp has opened fully. Reverse the process to tighten.
Center screw slot on ARCA Dovetail accepts 1/4-20 and 3/8-16 mounting screws, and a vertical rod hole clamps included 1/4-20 lens support posts for adaptors like Metabones, etc.
Rod Bracket (15mm LW) (sold separately) can be attached to the back of the baseplate for rear 15mm LW rod support.
Individual components of this kit are also available:
Baseline Core 15mm LW (23mm Platform Height)Baseline ARCA Dovetail (7.5mm Height)Baseline ARRI Dovetail
Technical data
Product Weight: 330gProduct Dimensions (WxLxH): 123 x 140 x 51mm
MID49 Breakout Side Plate
SKU: M49-BOB-SPL-KX
Breakout Side Plate for RED KOMODO and RED KOMODO-X attaches to the side of the RED Komodo and Komodo-X and provides 1/4-20, 3/8-16 with ARRI locating pins, an ARRI standard rosette, and M4x20mm threaded holes. Two offset M4 holes matching RED's spacing allow certain 3rd party products to be attached like GDU Atlas Side Handle (Komodo, Right)When used on RED Komodo-X, rear 1/4-20's provide ideal mounting locations for Audio Breakout AB-1 (RED Komodo-X) and EXT Breakout EB-1 (RED Komodo, Komodo-X).When used on the original RED Komodo, combine with Audio Breakout AB-3 (RED Komodo) and EXT Breakout EB-1 (RED Komodo, Komodo-X).The Side Plate is compatible with RED's PL Mount support, as seen in this installation guide.Recessed cable loops in the side plate allow for clean cable management.
MID49 Audio Breakout AB-3
SKU: M49-BOB-AB3
Audio Breakout AB-3 (RED Komodo, DSMC2, DSLR, Stereo 3.5mm TRS) is a passive adapter that converts the camera's 3.5mm plug to two standard, full-size XLRs. Attaches by a captive 1/4-20 screw and rubber pad to the camera body or side plates.
Two M4 threaded holes in 20mm ARRI spacing are available to add Breakout Box Side Mounting Bracket (ARRI 3/8-16) (sold separately), which allows AB-3 to attach using a 3/8-16 screw with ARRI locating pins.
12 inch (30.5cm) cable length with right angle 3.5mm TRS connector.
Product Weight: 42gProduct Dimensions (WxLxH): 35 x 277 x 28mm
€160.00*
gross: €190.40
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