F&V 8.3" Stainless Steel Articulating Arm
This articulating arm allows for the mounting of LCD monitors or small LED lights to the top of your camera shoe mount. With a three-jointed arm, this accessory has a wide range of motion. A single-point lock knob allows you to easily secure the position of your arm in place. This NEW articulating arm features stainless steel sockets that offer greater strength.
This F&V magic arm can be mounted either on top of a camera in a standard cold shoe via the cold shoe adapter that is included. The cold shoe adapter can also be removed revealing a 1/4"-20 male thread that can be used to thread the arm into 1/4"-20 thread-ins.
Chrosziel Articulating arm ROCKY
SKU: 550-ROChrosziel Articulating arm ROCKY with 2-step central clamp, with 1/4" thread and cold shoe adapter. The central clamp first fixes the articulation and second the ball pivot. The 90° slot is rotating and can be fixed.length: 150 mmweight 158 grpayload 3 kg
Neway NW07 7 inch magic arm
7 inch magic arm is a universal camera accessory adjustable arm. Features:
Metal hand twist lock designLoad capacity: 5 kgUsing gear mesh design can bear more and durableU-shaped groove design1/4'' Camera screw joint
Available lenghts
7 inch magic arm9 inch magic arm11 inch magic arm
Wooden Camera Ultra QR Articulating Monitor MountSKU: A20003
The Ultra QR Monitor Mount (Baby Pin, C-Stand) is an articulating monitor mount for securely attaching production monitors up to 20kg to a C-Stand or 5/8” (15mm) Male Baby Pin. Integrated ARCA Swiss dovetail clamp allows for quick release (QR) of the monitor from the C-Stand.
Installing the Ultra QR to a monitor can be done in two ways; utilizing the VESA Hole Standard (75mm or 100mm) or via the ARCA Swiss dovetail clamp with select SmallHD production monitors that utilize the ARCA Swiss Slide-On Rail.
The Ball Clamp system allows for a wide range of articulation while retaining friction, allowing users to adjust the position of the monitor without loosening the handle. Variable positioning includes upwards and downwards tilt, side-to-side pan, and complete 360* rotation from landscape to portrait viewing mode.
Featuring ARRI-Standard 3/8"-16 and 1/4"-20 mounting points located directly on the top of the monitor mount for attaching wireless receivers, secondary monitors, and more.
Compatible with SmallHD 4K monitors and many more.
4x Mounting Screws (M4 x 10 mm)Weight: 562 gDimensions: 140 mm x 120 mm x 120 mm
F&V 4.2" Stainless Steel Articulating Arm
This articulating arm allows for the mounting of LCD monitors or small LED lights to the top of your camera shoe mount. With a three-jointed arm, this accessory has a wide range of motion. A single-point lock knob allows you to easily secure the position of your arm in place. This NEW articulating arm features stainless steel sockets that offer greater strength.
This F&V Articulating Arm can be mounted either on top of a camera in a standard cold shoe via the cold shoe adapter that is included. The cold shoe adapter can also be removed revealing a 1/4"-20 male thread that can be used to thread the arm into 1/4"-20 thread-ins.
Materials AluminumNominal Item Dimensions Folded: 13 xm x 6.5 cm x 3.6 cmNominal Weight 227 g
smallHD StrongArm 7
smallHD StrongArm 7 is the most versatile mounting option for SmallHD's Field Monitors
Can connect directly to a camera's hot shoe or female 1/4-20 thread mount on a rails system. Single knob tightens all 3 articulating joints on the arm at once for maximum mobility and efficiency
Length 150 mmWeight 285 g
Neway NW011 11 inch magic arm
11 inch magic arm is a universal camera accessory adjustable arm. Features:
Metal hand twist lock designLoad capacity: 5 kgUsing gear mesh design can bear more and durableU-shaped groove design1/4'' Camera screw joint
Available lenghts
7 inch magic arm9 inch magic arm11 inch magic arm
SHAPE LARGE FLEX ARM
SKU: FLEX3
The large Flex arm from SHAPE is perfect to strongly mount your monitor, small lights, or sound gear at any angle. Featuring 1/4-20 to 3/8-16 adaptors captive thumb wheels screw with removable Arri standard anti-rotating pins. Each ball head can be released to accommodate your rig configuration. The balls on both ends are encircled by rubber rings that create the friction that holds the arm’s position and support up to 4 pounds when tightened. The locking rachet lever, in the center, provides a secure grip to tighten or loosen both ball heads. Additionally, the arm is also compatible with many third party 25 mm ball mount systems.
Key Features
1/4-20 to 3/8-16 large mounting flex arm with anti-rotating pins Perfect to mount and adjust monitor, LED lights, or microphones at almost any angle Adjustable 25 mm ball heads on both ends with rubber rings to hold the arm’s position Locking rachet lever in the center provides a secure grip to tighten or loosen the arms Captive Thumbwheels for easy mounting Supports up to 4 lb 5 inches threaded extension Length from end to end: 12 inches Rubber pad to protect your accessory Made of CNC aluminum
TVLogic F-5A
The TVLogic F-5A is a compact and light-weight field production monitor with Full HD resolution of 1920 x 1080, nice viewing angle and max luminance of 500nit. F-5A is equipped with a new image processing engine and reproduces even better sharpness and peaking boost capability for focus pullers. It also supports various video formats via 3G-SDI and HDMI 1.3 interface. And also support professional features such as Waveform/Vectorscope, Focus Assist, 3D LUT import, Camera Logs and HDR emulation
Audio Level Meter Display
Displays the level of the embedded sound signal together with the video signal input through the terminal such as SDI or HDMI.
Blue Only / Mono
Red and Green channels are not used and only Blue or Monochrome channel is used to display the screen. This function is used to adjust the color tones (tones and saturation) of the screen using the SMPTE Color Bar. For example, after displaying the Blue channel, adjust the Color (or Saturation) and Tint (or Hue) so that the original Magenta and Cyan are of the same brightness, and the original Gray and Blue are of the same brightness.
Focus Assist
Assigns a color to the pixels on the boundaries of the image to inform the user to achieve the best focus. With this function, user can easily differentiate the focused area from out-focused area especially when shooting with a shallow depth of field.
H/V Delay
Allows you to check the Blanking area and synchronize signals by displaying the horizontal and vertical intervals in the center of the screen.
H/V Flip
Allows the displayed image to be flipped horizontally or vertically. This feature provides flexible mounting options for camera operators.
Key Lock
Locks the knob or key control.
Luma(Y') Zone Check
Displays the Luma(Y’) level of the input image in colors. Each pixel’s Y’ analyzed and changed to a certain color or zebra pattern according to the Index on the right side of the screen.
Marker
Displays various kinds of aspect ratios on the screen. Wide range of markers and security areas are available with line color and curtain transparency selection. A User Marker is available if any of standard markers fits your requirements.
Max Brightness On/Off
Displays the brightness increases from the normal up to max brightness to obtain a sharp and bright image when shooting outdoors.
Range Error
Anahlyzes the input signal’s Luma(Y’) and chroma information(C’) and if the input signal exceeds the designated minimum value and maximum value, the pixel shall blink. This function is to help the user to easily find out any unwanted levels of signals and for a better exposure setting.
Time Code Display
Displays the Timecode information on the screen.
User Aspect
Adjusts the Width /Height display ratio.
Various Scan Modes
Controls the size of the image. Overscan: Extra area around the four edges of the image that may not be seen reliably by the viewer. Underscan: Constrains the size of the image so the monitor shows everything the camera is seeing. 1:1 pixel: Displays the original image resolution without scaling to match a certain resolution or an aspect ratio.
Waveform/Vector Scope
Waveform Y: Displays the Luma(Y’), Cb, Cr component of the input signal into waveform. Vector Scope: Displays the color components ‘B-Y’ and ‘R-Y’of the input signals onto the X-Y axis.
Zoom
Magnifies the input signal from 0% to 90%.
Camera Lut.
Applies the LUTs to the outbound Log signal. A LUT for every major camera manufacturer has been included(LOG-C, C-LOG, S-LOG 1,2,3 and RED Gamma 3,4).
ARRI Alexa Metadata over SDI
Takes the Metadata from the ARRI ALEXA is transported through the SDI outputs of the camera, and displays it on the monitor.
Split Zoom
Zooms the specified area sequentially.
Anamorphic Desqueeze
Supports several formats and resolutions that are ideally suited for anamorphic lenses and aspect ratios. When shooting anamorphic the image you are monitoring is an “unsqueezed” preview of what’s actually being recorded.
Sleep Mode
Sets the LUMINANCE to the minimum value when the time set in the still image output is exceeded.
FeelWorld FW279S
The FeelWorld FW279S has extensive monitoring tools, including histogram, focus assist, embedded audio, false colors, zebra exposure, ratio marker, anamorphic mode, zoom etc. It could help you create the wonderful shots. FEELWORLD FW279S provides 7" an 8-bit IPS screen with 1920x1200 resolution, 323ppi pixel density, professional color calibration to overcome natural LCD color drift. The FW279S displays sharper images, better text clarity and color reproductions regardless of your shooting conditions. The FW279S has a wide viewing angle so that everyone on set can review the action.
High Bright 2200nit for Outdoor Shooting
FEELWORLD FW279S ultra-high brightness monitor uses the "golden size" 7-inch panel. The FW279S monitor not only has the resolution and pixel density to make every shot look amazing, the high bright 2200nit screen at almost 5 times the brightness of conventional field monitors lets you shoot outdoors without reflections washing out your image. This makes it a great choice for gimbals, Steadicam and director's monitors, delivering a crisp image without the bulk and viewing angle restrictions of a sun hood.
Simple, Practical Design
It's no surprise the FW279S's simple, practical design makes it the ideal choice for the filmmakers, cinematographers, photographers, and videographers prefer due to its size and weight for field production. It's easy to add professional monitoring to any SDI or HDMI camera with FEELWORLD FW279S! And also it's easy to connect, easy to mount, with a slim and simple design.
True Color · Professional Color Calibration
FEELWORLD uses the professional Rec.709 HD color standard, and uses the color calibration technology, with the professional instrument calibration at the factory, it can achieve monitor calibration efficiently and get accurate color reproduction easily, do not distort the color, show the real image when you shooting video.
Accurate Color Reproduction
FEELWORLD monitor support ITU standards and HD video Rec.709 standard consistent color space, advanced image processing technology, so that the image clearly presented, the color is extremely natural, to ensure accurate color reproduction, to reproduce the physical nature of shooting, enabling users to accurately evaluate the quality of various input video signals.
Features
High Resolution: Full HD 1920x1200High Contrast: 1200:1Ultra Brightness: 2200cd/m²160°wide viewing angles IPS PanelUltra thin design 25mm thicknessHistogramPeaking Focus Assist (Red,Green,Blue three colors optional highlight over parts of the image in focus)False ColorsZebra ExposureNine GridEmbedded AudioScan Mode (Under Scan, Over Scan)Zoom (4x,9x,16x)Anamorphic Mode (1.3x,2.0x,2.0x mag)Pixel to PixelCenter MarkerSafe Area (80%,85%,90%,93%,96%,2.35:1)Ratio marker (4:3,13:9,14:9,15:9,16:9,1.85:1,2.35:1)Marker Color (Red,Green,Blue,White,Black)Check Field (Red/Green/Blue/Mono)Image Flip (H, V, H/V)Image FreezeZoom AllU/D & L/R ZoomColor Temperature Adjustment
€300.00*
gross: €357.00
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