AJA Ki Pro GO AJA Ki Pro GO is a portable multi-channel H.264 recorder offering up to 4-channels of simultaneous HD and SD recording to off the shelf USB drives with redundant recording capabilities. 4x 3G-SDI and 4x HDMI digital video inputs with flexible channel assignments provides connections to the latest video sources, including cameras. Incoming video sources do not have to be genlocked due to Ki Pro GO's input frame syncs. Ki Pro GO also features AJA's high quality de-interlacers on each input so progressive recordings can be made from interlaced inputs. High quality 2-channel embedded audio or balanced XLR analog audio can be assigned to any recording channel. Multi-Channel Matrix Monitoring enables multiple video channels to be viewed on any single HDMI display. Designed to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro GO is well suited for use in any environment. Genlock Free Recording with Easy Input Mapping Record 1, 2, 3 or 4-channels of HD or SD up to 1080p 50/60 in H.264 simultaneously with Ki Pro GO. Simplify your setup by connecting up to four HDMI and four 3G-SDI source cables into Ki Pro GO and assign any combination of four inputs at a time for four channels of H.264 recording to the four USB slots on the front of Ki Pro GO. Time is always tight, especially for live events. Ki Pro GO's Genlock free inputs make it is easy to switch your sources including SDI cameras, DSLRs, or HDMI cameras to the appropriate recording channel, all conveniently mapped within Ki Pro GO's elegant UI. H.264 Variable Bit Recording (VBR) Profiles Ki Pro GO allows independent profile support per channel for recording; up to 25 Mbs at 8 or 10-bit for any channel assignment depending upon your delivery need or eventual bandwidth allocation for the file's playback stream. You can also choose between 4:2:0 and 4:2:2 color depth. Pick between Low, Medium and High VBR Recording Profiles: Low: Suitable for talking heads, conference backups, security backups and more.Medium: Ideal for higher detail and more complex content.High: Serves well for fast moving, highly detailed content like sports or live event scenarios like concerts. Ki Pro GO offers .MP4 and .MOV for your codec container, providing convenient flexibility for your workflow path. Features Multi-channel H.264 recording5x USB recording media slots, compatible with off-the-shelf USB 3.0 mediaRedundant recording Genlock free inputs4x 3G-SDI inputs4x HDMI inputsHDMI multi-channel matrix monitoringSingle-channel H.264 playbackSelectable VBR recording profiles Balanced XLR analog audio inputs, mic/line/48v switchable2-channel embedded audio per video inputEasy-to-use web UI, compatible with standard web browsersFront panel button controls with integrated HD resolution screenStand-alone operation

AJA Ki Pro Rack With a wealth of professional connections including SDI and HDMI, Ki Pro Rack will fit right into your existing cabling and routing system. AJA Ki Pro Rack also features AJA’s industry leading conversion technology, enabling you to perform broadcast quality up, down, cross-conversion during recording or playback without the need for additional conversion hardware. HD/SD Recorder and PlayerRecord and playback Apple ProRes or Avid DNxHD filesSDI, HDMI, and Component Video I/OAES (BNC) and analog (XLR) audio I/O2x KiStor media bays with Ki ProtectBalanced XLR analog audio inputs, mic/line/48v switchableMulti-channel embedded SDI and HDMI audio = Up, down, cross-conversion built-inREF, LTC, RP-188 and RS-422 supportREST interfaceFront panel button controlsEasy to use web UI, configure and control from standard web browsersCompact 1RU designThree year warranty TECHNICAL DATA Video Formats1080i 25, 29.97, 301080PsF 23.98, 24, 25*, 29.97*1080p 23.98, 24, 25, 29.97720p 23.98*, 25*, 29.97*, 50, 59.94, 60625i 25525i 29.97*25 and 29.97 require a valid camera source and the use of the Record Type>PsF selectionCodec SupportApple ProRes 422Apple ProRes 422 (HQ)Apple ProRes 422 (LT)Apple ProRes 422 (Proxy)Avid DNxHD HQX (220x)Avid DNxHD SQ (145)Avid DNxHD LD (36), only provides support for the 1080p formatRemovable StorageAJA KiStor modules - 2 slots with rollover recordingVideo Input DigitalSD/HD SDI, SMPTE-259/292, 10-bitSingle Link 4:2:2 (2 x BNC, input selection in software)HDMI v1.3Video Output DigitalSD/HD SDI, SMPTE-259/292Single Link 4:2:2 10-bit (1 x BNC)HDMI v1.3Note: HDMI requires 1080i, 720p or 1080p to be active; HDMI does not provide support for PsFVideo Input AnalogSD/HD Component (3 x BNC)SMPTE/EBU N10, Betacam 525 line, Betacam 525J12-bit A/D, 2 x oversampling+/- .25dB to 5.5 mHz Y frequency response+/- .25dB to 2.5 mHz C frequency response .5% 2T pulse response<2 ns Y/C delay inequity, or Composite (1 x BNC – CVBS on Y)Video Output AnalogComponent (3 x BNC)NTSC, NTSCJ, PALHD: YPbPr, RGBSD: YPbPr, RGB (component mode)SMPTE/EBU N10, Betacam 525 line, Betacam 525J, RGB12-bit D/A, 8 x oversampling+/- .2dB to 5.5 mHz Y frequency response+/- .2dB to 2.5 mHz C frequency response.5% 2T pulse response<1 ns Y/C delay inequity, or Composite (1 x BNC – CVBS on Y)+/- .2dB to 5.0 mHz Y frequency response+/- .2dB to 1 mHz C frequency response<1% Diff Phase<1% Diff GainAudio Input Digital8-channel, 24-bit SMPTE-272/299 SDI embedded audio, 48 kHz sample rate, synchronous8-channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous8-channel, 24-bit AES/EBU audio, 48 kHz sample rate, synchronous or nonsynchronous, internal sample rate conversion (4 x BNC)Audio Input Analog2-channel, 24-bit A/D analog audio, 48 kHz sample rate, balanced (2 x XLR)+24 dBu full scale digital+/- 0.2 dB 20Hz to 20 kHz frequency response (Note: Line or Mic selection via CONFIG menu parameters)Audio Output Digital8-channel, 24-bit SMPTE-272/299 SDI embedded audio, 48 kHz sample rate, synchronous8-channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous8-channel, 24-bit AES/EBU audio, synchronous or nonsynchronous, internal sample rate conversion (4 x BNC)Audio Output Analog2-channel, 24-bit D/A analog audio, 48 kHz sample rate, balanced (2 x XLR)+24 dBu full scale digital (0dbFS)+/- 0.2 dB 20 Hz to 20 kHz frequency responseStereo unbalanced headphone (1 x 3.5mm mini jackUp-ConversionHardware 10-bitAnamorphic: fullscreenPillarbox 4:3: results in a 4:3 image in center of screen with black sidebarsZoom 14:9: results in a 4:3 image zoomed slightly to fill a 14:9 image with black side barsZoom Letterbox: results in image zoomed to fill fullscreenZoom Wide: results in a combination of zoom and horizontal stretch to fill a 16:9 screen; this setting can introduce a small aspect ratio changeDown-ConversionHardware 10-bitAnamorphic: fullscreenLetterbox: image is reduced with black top and bottom added to image area with the aspect ratio preservedCrop: image is cropped to fit new screen sizeCross-ConversionHardware 10-bit1080i to 720p720p to 1080iTimecodeSDI RP188/SMPTE 12M via SDI BNCHDMI (when used with compatible cameras)LTC Input (1x BNC)LTC output (1x BNC) (Note: active during playback not during record or EE)Reference InputExternal, 2x BNCLooping, nonterminatingBlackburst or tri-level syncNetwork Interface10/100/1000 Ethernet (RJ-45)Embedded web server for remote controlUser Interface2x 20 character display, with dedicated buttonsClosed Captioning SupportCEA-708, CEA-608Machine ControlRS-422, 1x DE-9 female connector, Sony 9-pin protocol9-pin D-connector pinout is as follows: 1-GND, 2-TX-, 3-RX+, 4-GND, 5-No Connection, 6-GND, 7-TX+, 8-RX- ,9-GND, Shell-GNDSize (w x d x h)482.6mm x 317.5mm x 44.5mmWeight3.4 kgPower100-240 VAC 50/60 Hz, dual, redundant power supplies, 40W typicalEnvironmentSafe Operating Temperature: 0 to 40 C (32 to 104 F)Safe Storage Temperature (Power OFF): -40 to 60 C (-40 to 140 F)Operating Relative Humidity: 10-90% noncondensingOperating Altitude: <3,000 meters (<10,000 feet)