Wooden Camera Directors Monitor Cage v3

Atomos SHINOBI SKU: ATOMSHBH01 Atomos Shinobi, the first stand-alone small monitor, features all of our amazing screen processing technology and professional monitoring tools – now packed into a 5 inch ‘monitor only’ device. Shinobi features a ‘run all day’ single battery, 1000nit high brightness screen, HDR capability and advanced functions that are easy to use. There’s even a new selfie Mirror Mode for vloggers and a new multi-tool Analysis View that’s a cinematographer’s dream. Set up your shots accurately using our advanced histograms, waveforms and video scopes. Shinobi is the perfect companion to improve any photo or video production. The 5” HDMI monitor that packs a punch With a stunning 5” 10-bit HDR or SDR display, the Shinobi allows you to see your images clearly in daylight on the 1000nit screen featuring a special AR coating and Anti-fingerprint technology. The sleek lightweight design is crafted for maximum efficiency and weighing in at just 200g, it is one of the lightest 4K monitors on the market, stealthily attaching to any HDMI camera setup. The best of AtomOS 10 Shinobi utilizes our revolutionary AtomOS 10 platform and is packed with an extensive suite of scopes and simple one-touch operations. Shinobi includes monitoring tools for focus, framing & exposure, including Focus Peaking, 4:1 / 2:1 / 1:1 Zoom, Zebra, False Color, Frame Guides, SMPTE Safe Area, Waveform, RGB parade, vectorscope, a new multi-view ‘Analysis’ view and a flexible 3D and 1D LUT†, Profile and Preset support (upload .cube files via SD Card) and options for anamorphic desqueeze monitoring. Introducing Atomos ‘Analysis’ View We understand how important to see what you’re shooting at all times. With the new Analysis feature you can now simultaneously see what you are shooting, view a waveform, histogram and vectorscope, ensuring complete control of your image. You can even switch between different waveform, histogram and vector scope options on the fly with a single touch. HDR in the field The Shinobi screen displays a stunning 10+ stops of dynamic range in realtime from Log/PQ/HLG signals. Combined with our unique HDR monitoring features, the Shinobi simplifies the complexities of shooting Log and HDR, helping you to replicate post-production workflows at the moment when it matters most – while shooting. We look after the technology so you can focus on the story telling. Realtime  LUTs preview Apply and compare looks for post-production in SDR or HDR from your favourite LUTs for your camera. The Shinobi allows you to load up to eight custom LUTs at anytime via the SD Card Slot and instantly select between them, maintaining creative intent at all times. Calibrated true-to-eye colors Calibration is the key to a trustworthy monitor. The Shinobi monitor can be calibrated using X-Rite’s i1DisplayPro for ongoing accurate HDR and Rec709 monitoring. This ensures accurate monitoring for reliable results. Monitors drift and calibration is the only way to ensure your eyes are not deceiving you. Longer battery life Designed purely for monitoring purposes, Shinobi requires very low power in standby or monitoring modes. This translates to ‘all day run times’ of a single battery* and lasting endurance when you’re at the end of a shoot. Refer to specs for more information. Designed for every situation When attached to your camera, the size and weight of your monitor matters. We shaved Shinobi down to just 196g (7oz) and added 1/4”-20 screw mounts top and bottom for ease of cage and adaptor rigging. The center mount battery makes balancing easy and manoeuvrability instant. The Shinobi is compatible with most cameras, smartphones and HDMI-ready devices. 

smallHD 702 Touch SKU: MON702-TOUCH Introducing the smallHD 702 Touch On-Camera Monitor, the ultimate tool for professional filmmakers and videographers. This compact and lightweight monitor is designed to provide unparalleled performance and convenience on set. Featuring a 7-inch touch screen display, the smallHD 702 allows for easy and intuitive navigation, making it a breeze to adjust settings and monitor footage in real-time. The high-resolution display boasts DCI-P3 color accuracy, ensuring that your images are reproduced with stunning clarity and true-to-life colors. Equipped with a robust aluminium frame, the smallHD 702 is built to withstand the rigors of on-location shoots. Its compact size makes it perfect for mounting on cameras or rigs, providing a versatile and portable solution for monitoring your footage.With a wide range of advanced features, including customizable focus and exposure tools, waveform and histogram displays, and 3D LUT support, the smallHD 702 offers unparalleled control and precision for achieving the perfect shot. Whether you're shooting in the studio or out in the field, the smallHD 702 Touch On-Camera Monitor is the ideal companion for any professional filmmaker or videographer. Upgrade your on-set monitoring experience with the smallHD 702 and take your productions to the next level. In the box 1 x 702 Touch Monitor1 x 702 Touch/Cine 7 Sony L-Series Battery Plate Assembly (PWR-ADP-702TOUCH-SONY)1 x ACC-SP-702Touch-Ultraclear1 x 8GB SD Card (ACC-SD-CARD-8GB-C10)1 x Cleaning Coth (ACC-CLOTH-SMALLHD)

TVLogic F-5A The TVLogic F-5A is a compact and light-weight field production monitor with Full HD resolution of 1920 x 1080, nice viewing angle and max luminance of 500nit. F-5A is equipped with a new image processing engine and reproduces even better sharpness and peaking boost capability for focus pullers. It also supports various video formats via 3G-SDI and HDMI 1.3 interface. And also support professional features such as Waveform/Vectorscope, Focus Assist, 3D LUT import, Camera Logs and HDR emulation Audio Level Meter Display Displays the level of the embedded sound signal together with the video signal input through the terminal such as SDI or HDMI. Blue Only / Mono Red and Green channels are not used and only Blue or Monochrome channel is used to display the screen. This function is used to adjust the color tones (tones and saturation) of the screen using the SMPTE Color Bar. For example, after displaying the Blue channel, adjust the Color (or Saturation) and Tint (or Hue) so that the original Magenta and Cyan are of the same brightness, and the original Gray and Blue are of the same brightness. Focus Assist Assigns a color to the pixels on the boundaries of the image to inform the user to achieve the best focus. With this function, user can easily differentiate the focused area from out-focused area especially when shooting with a shallow depth of field. H/V Delay Allows you to check the Blanking area and synchronize signals by displaying the horizontal and vertical intervals in the center of the screen. H/V Flip Allows the displayed image to be flipped horizontally or vertically. This feature provides flexible mounting options for camera operators. Key Lock Locks the knob or key control. Luma(Y') Zone Check Displays the Luma(Y’) level of the input image in colors. Each pixel’s Y’ analyzed and changed to a certain color or zebra pattern according to the Index on the right side of the screen. Marker Displays various kinds of aspect ratios on the screen. Wide range of markers and security areas are available with line color and curtain transparency selection. A User Marker is available if any of standard markers fits your requirements. Max Brightness On/Off Displays the brightness increases from the normal up to max brightness to obtain a sharp and bright image when shooting outdoors. Range Error Anahlyzes the input signal’s Luma(Y’) and chroma information(C’) and if the input signal exceeds the designated minimum value and maximum value, the pixel shall blink. This function is to help the user to easily find out any unwanted levels of signals and for a better exposure setting. Time Code Display Displays the Timecode information on the screen. User Aspect Adjusts the Width /Height display ratio. Various Scan Modes Controls the size of the image. Overscan: Extra area around the four edges of the image that may not be seen reliably by the viewer. Underscan: Constrains the size of the image so the monitor shows everything the camera is seeing. 1:1 pixel: Displays the original image resolution without scaling to match a certain resolution or an aspect ratio. Waveform/Vector Scope Waveform Y: Displays the Luma(Y’), Cb, Cr component of the input signal into waveform. Vector Scope: Displays the color components ‘B-Y’ and ‘R-Y’of the input signals onto the X-Y axis. Zoom Magnifies the input signal from 0% to 90%. Camera Lut. Applies the LUTs to the outbound Log signal. A LUT for every major camera manufacturer has been included(LOG-C, C-LOG, S-LOG 1,2,3 and RED Gamma 3,4). ARRI Alexa Metadata over SDI Takes the Metadata from the ARRI ALEXA is transported through the SDI outputs of the camera, and displays it on the monitor. Split Zoom Zooms the specified area sequentially. Anamorphic Desqueeze Supports several formats and resolutions that are ideally suited for anamorphic lenses and aspect ratios. When shooting anamorphic the image you are monitoring is an “unsqueezed” preview of what’s actually being recorded. Sleep Mode Sets the LUMINANCE to the minimum value when the time set in the still image output is exceeded.