Neway NW07 7 inch camera magic arm

FeelWorld FW279S The FeelWorld FW279S has extensive monitoring tools, including histogram, focus assist, embedded audio, false colors, zebra exposure, ratio marker, anamorphic mode, zoom etc. It could help you create the wonderful shots. FEELWORLD FW279S provides 7" an 8-bit IPS screen with 1920x1200 resolution, 323ppi pixel density, professional color calibration to overcome natural LCD color drift. The FW279S displays sharper images, better text clarity and color reproductions regardless of your shooting conditions. The FW279S has a wide viewing angle so that everyone on set can review the action. High Bright 2200nit for Outdoor Shooting FEELWORLD FW279S ultra-high brightness monitor uses the "golden size" 7-inch panel. The FW279S monitor not only has the resolution and pixel density to make every shot look amazing, the high bright 2200nit screen at almost 5 times the brightness of conventional field monitors lets you shoot outdoors without reflections washing out your image. This makes it a great choice for gimbals, Steadicam and director's monitors, delivering a crisp image without the bulk and viewing angle restrictions of a sun hood. Simple, Practical Design It's no surprise the FW279S's simple, practical design makes it the ideal choice for the filmmakers, cinematographers, photographers, and videographers prefer due to its size and weight for field production. It's easy to add professional monitoring to any SDI or HDMI camera with FEELWORLD FW279S! And also it's easy to connect, easy to mount, with a slim and simple design. True Color · Professional Color Calibration FEELWORLD uses the professional Rec.709 HD color standard, and uses the color calibration technology, with the professional instrument calibration at the factory, it can achieve monitor calibration efficiently and get accurate color reproduction easily, do not distort the color, show the real image when you shooting video. Accurate Color Reproduction FEELWORLD monitor support ITU standards and HD video Rec.709 standard consistent color space, advanced image processing technology, so that the image clearly presented, the color is extremely natural, to ensure accurate color reproduction, to reproduce the physical nature of shooting, enabling users to accurately evaluate the quality of various input video signals. Features High Resolution: Full HD 1920x1200High Contrast: 1200:1Ultra Brightness: 2200cd/m²160°wide viewing angles IPS PanelUltra thin design 25mm thicknessHistogramPeaking Focus Assist (Red,Green,Blue three colors optional highlight over parts of the image in focus)False ColorsZebra ExposureNine GridEmbedded AudioScan Mode (Under Scan, Over Scan)Zoom (4x,9x,16x)Anamorphic Mode (1.3x,2.0x,2.0x mag)Pixel to PixelCenter MarkerSafe Area (80%,85%,90%,93%,96%,2.35:1)Ratio marker (4:3,13:9,14:9,15:9,16:9,1.85:1,2.35:1)Marker Color (Red,Green,Blue,White,Black）Check Field (Red/Green/Blue/Mono)Image Flip (H, V, H/V)Image FreezeZoom AllU/D & L/R ZoomColor Temperature Adjustment

TVLogic F-5A The TVLogic F-5A is a compact and light-weight field production monitor with Full HD resolution of 1920 x 1080, nice viewing angle and max luminance of 500nit. F-5A is equipped with a new image processing engine and reproduces even better sharpness and peaking boost capability for focus pullers. It also supports various video formats via 3G-SDI and HDMI 1.3 interface. And also support professional features such as Waveform/Vectorscope, Focus Assist, 3D LUT import, Camera Logs and HDR emulation Audio Level Meter Display Displays the level of the embedded sound signal together with the video signal input through the terminal such as SDI or HDMI. Blue Only / Mono Red and Green channels are not used and only Blue or Monochrome channel is used to display the screen. This function is used to adjust the color tones (tones and saturation) of the screen using the SMPTE Color Bar. For example, after displaying the Blue channel, adjust the Color (or Saturation) and Tint (or Hue) so that the original Magenta and Cyan are of the same brightness, and the original Gray and Blue are of the same brightness. Focus Assist Assigns a color to the pixels on the boundaries of the image to inform the user to achieve the best focus. With this function, user can easily differentiate the focused area from out-focused area especially when shooting with a shallow depth of field. H/V Delay Allows you to check the Blanking area and synchronize signals by displaying the horizontal and vertical intervals in the center of the screen. H/V Flip Allows the displayed image to be flipped horizontally or vertically. This feature provides flexible mounting options for camera operators. Key Lock Locks the knob or key control. Luma(Y') Zone Check Displays the Luma(Y’) level of the input image in colors. Each pixel’s Y’ analyzed and changed to a certain color or zebra pattern according to the Index on the right side of the screen. Marker Displays various kinds of aspect ratios on the screen. Wide range of markers and security areas are available with line color and curtain transparency selection. A User Marker is available if any of standard markers fits your requirements. Max Brightness On/Off Displays the brightness increases from the normal up to max brightness to obtain a sharp and bright image when shooting outdoors. Range Error Anahlyzes the input signal’s Luma(Y’) and chroma information(C’) and if the input signal exceeds the designated minimum value and maximum value, the pixel shall blink. This function is to help the user to easily find out any unwanted levels of signals and for a better exposure setting. Time Code Display Displays the Timecode information on the screen. User Aspect Adjusts the Width /Height display ratio. Various Scan Modes Controls the size of the image. Overscan: Extra area around the four edges of the image that may not be seen reliably by the viewer. Underscan: Constrains the size of the image so the monitor shows everything the camera is seeing. 1:1 pixel: Displays the original image resolution without scaling to match a certain resolution or an aspect ratio. Waveform/Vector Scope Waveform Y: Displays the Luma(Y’), Cb, Cr component of the input signal into waveform. Vector Scope: Displays the color components ‘B-Y’ and ‘R-Y’of the input signals onto the X-Y axis. Zoom Magnifies the input signal from 0% to 90%. Camera Lut. Applies the LUTs to the outbound Log signal. A LUT for every major camera manufacturer has been included(LOG-C, C-LOG, S-LOG 1,2,3 and RED Gamma 3,4). ARRI Alexa Metadata over SDI Takes the Metadata from the ARRI ALEXA is transported through the SDI outputs of the camera, and displays it on the monitor. Split Zoom Zooms the specified area sequentially. Anamorphic Desqueeze Supports several formats and resolutions that are ideally suited for anamorphic lenses and aspect ratios. When shooting anamorphic the image you are monitoring is an “unsqueezed” preview of what’s actually being recorded. Sleep Mode Sets the LUMINANCE to the minimum value when the time set in the still image output is exceeded.